Dickens and his Publics
Dickens isn’t dead. At least, not to begin with. Thoughts on Zadie Smith’s “The Fraud”; A Book Review
This review is contributed by Mads Golding, a playwright, writer, and independent scholar who focuses on Charles Dickens and the long 19th century. She is a staff writer for The Dickens Society. Zadie Smith’s “The Fraud” can be purchased at The Seminary Co-op, Barnes and...
The Goodman Theatre, Chicago, Presents “A Christmas Carol” by Charles Dickens–a Theatre Review
Kareem Bandealy as Jacob Marley and Larry Yando as Ebenezer Scrooge in Goodman Theatre’s A Christmas Carol by Charles Dickens, adapted by Tom Creamer. Photo: Liz Lauren This review is contributed by Mads Golding, a playwright, writer, and independent scholar who focuses on Charles Dickens...
Dispatches from the 26th Symposium: Charles Dickens and Peter Pitchlynn
Contributed by Spencer Dodd, PhD Student, Louisiana State University. Recent years have seen significant scholarly interest in Dickens and race, a trend continued by the 2021 Virtual Dickens Symposium, which featured multiple papers analyzing Dickens’s works in the context of racial issues. While these papers...
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