Dickens and the nineteenth century
“Forget Charles Dickens”: Navigating the Dickensian at The Workhouse, Southwell
This post is contributed by Dr Charlotte May who is a Heritage Learning Officer and Knowledge Exchange Fellow at the University of Nottingham. She specializes in eighteenth and nineteenth-century correspondence and is currently transcribing the letters of the subject of her PhD thesis, Samuel Rogers....
Escape to the country: Dickens in rural England
This post is contributed by Catherine Peck, a PhD research student in English Literature at the University of Surrey. Her research explores the cultural and social history of the English country cottage and how it is represented in nineteenth-century literature. Her research is supported by...
Deep Impressions: Dickens’s Encounters with Houselessness
This post has been contributed by Dr. Trish Bredar, a Postdoctoral Fellow in the Alice Kaplan Institute for the Humanities at Northwestern University. Her research focuses on representations of physical mobility in British literature of the long nineteenth century, with particular interests in gender, walking,...
Charles Dickens’s Unwitting Victory over American Literary Pirates
This post was contributed by Dr. Adam Epp. Adam recently completed his PhD on Charles Dickens’s brand at the University of Saskatchewan. He is currently studying Dickens’s brand in Canada and is aiming to publish an article about Dickens and debtors’ prisons. Adam can be reached...
Curating Beyond COVID at the Charles Dickens Museum
This post has been contributed by Dr. Katherine Kim, assistant professor at Molloy University in New York. Katherine’s other recent projects have been book chapters and articles on Edgar Allan Poe, Charlotte Brontë’s Villette, and Joseph Sheridan LeFanu’s “Schalken the Painter,” and “Bluebeard.” Her article...
Illustrating Bleak House
This post is contributed by Gerry Mooney, a (now retired) commercial artist and illustrator from New York. Mooney is also a longtime Charles Dickens fan and he has embarked on a project to illustrate Dickens’s great Bleak House. Mooney can be found online https://gerrymooneyillustratingdickens.com/ ...
Connecting the Dots…
This post is contributed by our new blog co-editor, Michelle Crowther. Michelle is a Learning and Research Librarian at Canterbury Christ Church University in Kent and also a PhD candidate. She can be found on Twitter at @HumLib_cccu. My research is in writing groups and...
CFP: Write for The Dickens Society Blog!
The Dickens Society Blog is under new editorship! Dr Katie Bell and Michelle Crowther (not pictured in the illustration above) are looking for engaging submissions from scholars at all career stages on any aspect of Dickensian research. We particularly welcome posts from researchers new to...
The Tell-Tale Sign of the Dickensian Influence: Dickens and Poe
Katie Bell holds a PhD in English from the University of Leicester. She can be found on Twitter https://twitter.com/decadentdickens and on https://www.notions-nineteenth.com/ Dickens’s works are most associated with hearth and home, goodwill to one’s neighbors and the value of conviviality. His more macabre storylines are sometimes...
Louisa’s Spiritual Awakening: Temptation, Abstinence, and the Female Recovery Narrative in Hard Times
Contributed by Katie Brandt Sartain, Graduate Researcher at the University of Illinois, Chicago, Twitter @bratie_kandt There is no shortage of drinkers, druggers, and over-imbibers in the Dickensian canon. From Sydney Carton and his bumpers of rum to John Jasper’s ravenous opium habit to the destitution...
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